I have lit all of the clod ensemble's work since For One Night Only at the Battersea Arts Centre in London in 2003. Productions include Under Glass, An Anatomy in Four Quarters, Zero, Red Ladies, On The High Road and, most recently, This Is My Room.
My first show with fevered sleep was Shore, also at BAC in 1999, and since then many more projects including The Forest, On Ageing, Above Me The Wide Blue Sky, Stilled, Men and Girls Dance, We Are Not Finished.
I am particularly interested in working collaboratively on new material, supported by shared research and development and the presence of light in the rehearsal room. Some work in this field has been Dido and Aeneas, directed by Thomas Guthrie at Stormen Opera House in Norway. Kursk, by Sound&Fury at the Young Vic. Dr Faustus and Workshop Negative, directed by Anna Coombs for tangle theatre company. Krapp's Last Tape, directed by Polly Findlay at the Sheffield Crucible, and Dadderrs with Daniel Oliver and Frauke Requardt for the Place.